![]() The love she lacks for him she lavishes on their 8-year-old son. When we meet her, she is the pretty young wife of the important government minister Karenin ( Jude Law). She believes she can flaunt the rules and get away with it. She doesn't seem to realize the audience is right there and paying close attention. Petersburg and Moscow, and behaves as if they were invisible. She makes choices that are unacceptable in the high society of St. Yes, and particularly in Karenina's case, because she fails to realize how true that is. We see the actors in the wings, the stage machinery, the trickery with backdrops, horses galloping across in a steeplechase.Īll the world's a stage, and we but players on it. ![]() ![]() One practical reason for that: As much as half of Wright's film is staged within an actual theater and uses not only the stage but the boxes and even the main floor - with seats removed - to present the action. She is almost distractingly beautiful here and elegantly gowned to an improbable degree. In Joe Wright's daringly stylized new version of "Anna Karenina," he returns for the third time to use Keira Knightley as his heroine. Karenina inspires pity, Bovary gets what she deserves. The big difference is that Karenina is driven by sincere passion, and Bovary by selfishness and greed. Both use opera houses as a stage for their affairs. Both are the center of attention and gossip within their own circles. I mention these details to ask myself: What makes the two roles so enticing that every good actress must sooner or later read the novels and start to daydream? Both are mothers who essentially choose to abandon their single children.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |